Skip to main content

Brenda Brueggemann: “Losing, and Finding, Heart at Hartheim: A Journey to the Center of the Nazi’s Atkion T4 [Euthanasia] Program Enacted on People with Disabilities” – February 25, 2014

This lecture takes us on a journey through the Nazi’s Aktion T-4 project, a project that “euthanized” (officially) over 70,000 people with disabilities in six psychiatric institutions throughout Germany and Austria in 1940 and 1941, and then more covertly killed approximately 270,000 people in these same institutions during WWII.  In July 2013, Brueggemann traveled to the Hartheim institution site, a converted castle in Austria, where the most patients were killed.  In 2001 disturbing excavations took place at Hartheim, and in 2001 a major memorial was constructed at the site.  In her lecture, Brueggemann outlines her educational and interactive blog that […]

Continue reading »

Timothy Karis: “Ties that Mobilize: Migration, Native Place, and the Politics of Belonging in Urban Vietnam” – April 1, 2014

Independent migration to Hanoi has surged dramatically over two decades of deepening market reforms, blurring the distinctions between urban and rural lives once maintained so carefully by the Communist Party of Vietnam.  Yet many migrants face ongoing legal and social discrimination in Hanoi, tied to an outmoded system of household registration (ho khau), and widespread anxieties about the ‘floating population’ threatening to overwhelm the city.  This talk explores how one group of “unofficial” Hanoians’—migrant motorbike taxi drivers from Nam Dinh Province—navigates a system of differentiated urban citizenship by forging communities and mutual assistance networks around shared ‘native places’ (que huong) […]

Continue reading »

Alex Cannon: “Creative Deployments and Postsocialist Imaginings: Southern Vietnamese Traditional Music in the Twenty-First Century” – March 18, 2014

Traditional music creation in contemporary Vietnam borders on the frenetic. Music practitioners and consumers involve themselves in many different performance types within Vietnam, in Asia and among communities of Vietnamese in diaspora. Traveling from Long Xuyên to Hồ Chí Minh City and then flying to Bangkok, Taipei and Kiev, musicians interact with a greater number of musical types, media and ideas than in previous decades. In the process, certain memories of the past fade and conflict with those held by others, forcing delicate negotiations of so-called “authentic” and appropriately “developed” performance practices. New communities sprout to make sense of these […]

Continue reading »